nondesigncritic.com


_ talking design amid collapse




Yeseul Kim (she/her) 김 예 슬

I’m an information designer, design critic, researcher, lecturer, and writer based in South Korea and the Netherlands. I focus on the politics of design, materials, and technologies as vehicles of anthropogenic activity amid the climate crisis.

I explore these themes through critical inquiry, using visual representation and narrative.

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︎︎︎ C.V.
︎︎︎ LinkedIn
︎︎︎ Instagram

For collaborations, commissions, or publication requests:
︎ myriadworld@gmail.com

nondesigncritic.com


_ talking design amid collapse


about

Raey Yeseul Kim

I’m an information designer, design critic, researcher, lecturer, and writer based in South Korea and the Netherlands. I focus on the politics of design, materials, and technologies as vehicles of anthropogenic activity amid the climate crisis.

I explore these topics through critical inquiry, using visual representation and narrative.




︎︎︎ C.V.
︎︎︎ LinkedIn
︎︎︎ Instagram

For collaborations, commissions, or publication requests:
︎ myriadworld@gmail.com

Untitled future:
The Story of the Evoluon


︎ Science Fiction
︎ Architecture

This piece was written in 2021 as part of the research seminar “The Craft of Criticism,” led by Dr. Sergio M. Figueiredo at the Curatorial Research Collective (CRC), Eindhoven University of Technology.



(2,310 words, 9 minute read)

At an unknown time, out of an uncharted space, a mysterious creature, whose existence had never previously been reported, developed an interest in the way human beings thought about the future. The very word future was a relatively recent addition to humanity’s dictionaries, and its meaning had yet to fully take root in the minds of most on Earth. Granted, humanity’s study of the future was widely expanding, further beginning to propel entire societies forward, but this didn’t mean that the future’s fame and publicity had yet surpassed its obscurity.

One day, the creature sensed that something on Earth was unsettling. It was a calamitous shift in humankind’s collective picture of the future. The word future had never truly been synonymous with hope, yet it was an ominous portent that human beings were starting to become suspicious of all the promising power of the future. And for the first time, the creature felt its fascination begin to wither. It was because observing humanity’s evolution, propelled by their notion of the future, had always been one of the creature’s most amusing hobbies; perhaps it hoped that its own advanced universe could cross paths with the human world one day.


The remainder of this work will be included in the upcoming publication “The Vessel of Randomness: Three Short Stories on Futurity (nondesigncritic, 2026).”






© Yeseul Kim 2026